The Happier the Hotelier, The Happier the Guest
Art worth to travel for or to travel to
Rubik’s Clubwich
Thought we needed a smile after the seriousness of creativity from Chaos.
Came across this blog Insane Wiches, Insane Sandwich Fun, from which I’ll share a few good ones. He (or she?) is on Twitter as well: @insanewich, but not very communicative.
Dadwich
And finally this very clever
Wino Sandwich
Joep van Lieshout of Atelier Van Lieshout (AVL) is “at it” again:
This summer Stroom organizes an exposition as part of a two year curriculum titled Foodprint in order to study the relation between food and the city. If you understand Dutch you can read more at Stroom’s blog Foodprint and here is their Dutch blog’s summary of the exhibition. The exhibition will run until August 23, 2009.
At the exhibition Joep, who recently sold some work – including his version of a pod hotel – to Brat Pitt at Art Basel, has reversed the “normal” slaughterhouse where pigs are slaughtered to feed the humans. He installed a slaughterhouse where humans are slaughtered to feed the pigs. A mirror for the pork eaters among us.
The photo is by Eveline van Egdom. I will certainly visit it to make some photos myself.
It’s a pity for the English language readers that Gotz Primke of Le Gourmand writes in German only: He really offers good content and inspired me for this topic:
Belgian artist Jacques Charlier has put together a veritable gallery of portraits based on conceptual analysis and personal interpretation of the “artistic attributes” of major representatives of modern and contemporary art, thus enabling, among other things, a humorous and satirical re-reading of recent art history. He had submitted 100 posters “100 sexes d’artistes” containing 100 more or less sexually tainted parodies of those 100 Artists for the 2009 Venice Biennial. His idea was to offer a clue and let the public guess who he was referring to. This photo points to Christo who wraps everything. However, both the curators and the mayor of Venice refused the posters as they feared the artists involved would be offended. Jacques interviewed all artists but one. They all reported to feel no offense.
Jacques protests with a site against this censorship and with an official vernissage (or is it venissage in this case?). See the above video.
The Brussels Museum of Modern Art backs his protest with an exhibition until September 13, 2009.
Now I wouldn’t have thought Italians to be as puritan as Americans. Would You?
This brings back memories of another protest at a Venice Biennial the one of 2005:
That of the Guerilla Girls against the “male chauvinist pigs” still ruling the Venice Biennial…L’Histoire se repete… Lol: yesterday it was 500 years ago that John Calvin was born…a sign of Calvinism in Venice maybe?
On Tuesday June 9, 2009 I was present at the official opening of the 2009 The Hague Sculpture exposition by the Prime Minister of The Netherlands, Jan Peter Balkenende.
First there was a opening session in one of the oldest churches of The Hague, The “Kloosterkerk” (or church of the convent). The CEO of The Hague Sculpture , The Mexican Ambassador in The Hague, a trustee of The Hague Sculpture and some other persons held speeches. The Prime Minister got the first brochure of the exposition. Thereafter the company moved outside where the sculptures of Javier Marin were installed, for the official opening ceremony.
There the company stopped at the sculpture from which I took the above photo on beforehand. In a sequence of my photo’s there was an exchange between the CEO and Xavier Marin. I have made a small “video” of this exchange, because there are too many photo’s to present them all here on the blog. Look for yourself:
Picasa Video
I’m not so much a video person. It takes far too much time for me. But this little video (without sound) I could produce reasonably quick with Picasa 3, the free Google photo (management) program. Picasa is also very good for organizing many photo’s…I have approximately 20,000 and counting on my computer, deep sigh.
The Ceremony
Then there was the opening ceremony itself: The freeing of a bundle of balloons that, of course, partially got hung in the branches of the trees over the sculptures. How dumb!
Storytlr
I have experimented in telling this little story via Twitter by uploading some of the pictures to Twitpic and then putting them together in Storytlr: [ Update: Originally there was a working link here, but unfortunately the Storytlr service has discontinued since March, 2010]
Unfortunately the thumbnails of Storytlr are a bit too unsharpened to make it a nice looking story. I don’t have a mobile telephone with a camera ( I prefer better quality photo’s of ordinary cameras, but it won’t be long and then the mobiles can compete with ordinary cameras), but it is clear to me that Storytlr is a nice app to spread a life stream story.
More photos of the exhibition on Flickr
If you are interested in more photos of The Hague Sculpture, I refer you to my Flickr Sets 2009 The Hague Sculpture and 2009 The Hague Sculpture – Official Opening on June 9, 2009
PS In the meantime I succeeded to upgrade the Worpress Version of this Blog to WP 2.8, which was a hell of a job, as I tried to cut corners.
Last edited by GJE on March 21, 2010 at 2:31 pm
In a couple of days “2009 The Hague Sculpture”, an open air sculpture exhibition, will open. The exhibition will run from June 9, 2009 till September 9, 2009. This year the steering committee has deemed it fit to have a one sculptor exposition rather than a multi sculptor exposition. The sculptor chosen is Javier Marin. His work is more than life size and will work excellent between the green of the trees of the location, the recently refurbished Lange Voorhout. Yesterday and today some impressive sculptures have been put on their places already. Time for me to stroll (or bike) along the site with my camera(s). I believe the exposition itself will be worth a visit to The Hague!
About Javier MarÃn
Javier MarÃn was born in Uruapan, in the region of Michoacán in Mexico in 1962. He graduated from the Academy of San Carlos in Mexico City – the city where he now works and lives.
His original focus was on painting and graphics, but he later concentrated on working in terracotta, resin and bronze.
From 1983 on, he took part in a group exhibition in the Casa de la Cultura in Morelia (Mexico). In 1986 he had his first solo exposition in Mexico City. Since that time, his work has been displayed in the Museo de Bellas Artes in Mexico City, the Espace Pierre Cardin in Paris, at the 50th Venice Biennial in 2005, on the Plaza de Cibeles in Madrid, on the Piazza del Duomo in Pietrasanta, and currently in the Rotonda di via Besana and on the square in front of the Scala in Milan.
More to follow