A recent photo of Newborn from a recent visit to the Kunsthal in Rotterdam at the occasion of the Hyperrealism Sculpture Exhibition, till July 1, 2018. Go and see for you self if in the neighbourhood…
Not so long ago I saw the following installation by Patricia Piccinini in Vienna at the Ankere Bread Factory
I wrote about it in my significant other blog post Unfurled
Patricia Piccinini (born 1965 in Freetown, Sierra Leone) is an Australian artist who works in a variety of media. She completed a Bachelor of Fine Arts in Painting at the Victorian College of the Arts in 1991. In 2014 she received the Artist Award from the Melbourne Art Foundation’s Awards for the Visual Arts.
Piccinini has an ambivalent attitude towards technology and she uses her artistic practice as a forum for discussion about how technology impacts upon life. She is keenly interested in how contemporary ideas of nature, the natural and the artificial are changing our society. Specific works have addressed concerns about biotechnology, such as gene therapy and ongoing research to map the human genome… she is also fascinated by the mechanisms of consumer culture.
But already in 2007 I took some photo’s of her poetic work “Nest” at the occasion of the then open air exhibition Down Under of The Hague Sculpture.
Ski Joring (Joering) originated in Scandinavia, but is done all over Europe, Canada and the USA. Basically it is skiing behind a horse a couple of dogs or cars or motorbikes.
The first time I saw it in real life was in the mid fifties on lake St Moritz, the famous Swiss wintersport resort. In 1928 when the first Olympic Winter Games were held in St Moritz, Skijoering or skikjoering was a demonstration sport. Thereafter it didn’t come trough however.
In the next video you can see that it is embedded in the White Turf racing days on the ice of lake St Moritz between proper horse racing with a jockey and trotting races where the jockey is behind the horse in a cart (sulky):
In the USA it goes a bit different. There the skier has to slalom and take some obstacles. More with a Mid West air to it.
I wish you a happy 2018!!!
I’ll start with a Google translation from German into English of this site: Vienna History Wiki – Ankerbrotfabrik
Anker bread factory ( 10 , Absberggasse 35). The Viennese brothers Heinrich and Fritz Mendl, who worked in Döbling as “Commissionswarenhändler”, acquired the bankrupt company of the favorite baker Emanuel Adler ( Himberger Straße 49 10 , Keplerplatz 12]), founded on July 1, 1891 the Viennese bread – and biscuit factory Heinrich & Fritz Mendl and chose to their trademarks the anchor (symbol of the trust and the security, 1893 protected as a trademark) .On November 5, 1892, the operation was substantially expanded (36 -meter-long oven with ten ovens) and finally, moved to its present location on June 7, 1893. Around 1900, architect Friedrich Schön built the first part of the present complex with master builder Karl Michner & Josef Herzberg, which was continually expanded until 1925. In 1906, the company name was changed to “Anker”. The company soon enjoyed great popularity with its products and in 1914 employed nearly 1,300 people. In 1918, the workforce formed a “workers’ army” to protect the factory, and in 1922 it was converted into a family working group (Fritz Mendl, president until his death in 1929), producing pasta in 1931. In the 1930s Advertising slogan “What does the Viennese look forward to when they come from their holidays? On high spring water and anchor bread” they are well known. In 1938 the business was aryanized, in 1939 a strike was called against the equalization of payroll tax on the higher German tax, which was terminated by the Gestapo; During the Second World War , various resistance groups formed in the Ankerbrotfabrik ( memorial plaque in the courtyard). After reconstruction, the factory began innovating marketing in the 1950s, paying attention to public health issues as well (inclusion of seed bread and wholegrain bread in the production range). The share capital was held until 1969 by the Mendlschen heirs, 1969-1981 of the Schoeller group. The stagnation that has been recognizable since the mid-1960s led to the merger in 1970 with the second largest Viennese bread factory, also owned by Schoeller’s industrial group, the Hammerbrotwerke (parent company in the 21st district), the “Vereinigte Nahrungsmittel Industrie Arbeitsgemeinschaft”, which, however, did not bring any fundamental improvement In the 1970s, the number of staff was reduced from around 3,000 to around 1,900, and the Floridsdorfer company was closed down.In 1981, the owners decided to sell to the former Supervisory Board member Dr. Helmut Schuster, who founded a GmbH with his brother Gerhard and innovate in the In 1984, the old name of the company (Anker-Arbeitsgemeinschaft) was reactivated, but the design of the symbol was changed in 1985. In 1987, the company received the Austrian Marketing Prize, and by the end of 1990 there were 270 branches, which gradually received a modern design n; it employed about 300 bakers and 250 breadwomen in delivery. The new corporate concept led to a recognizable upswing of the long-established company.
Actually my idea was to show some interior details of the restaurant in the Bread Factory….It has its own website as Magdas Kantine and as part of the Bread Factory
The fun part is that they used a couple of old panelled doors both to separate seating possibilities but also as a background to benches in another corner.
The Anker Bread factory is worth a visit apart from the canteen as it has several modern art venues in the complex.
Hofwijck (Dutch pronunciation: [ˈɦɔfʋɛik]; or Vitaulium in Latin) is a mansion built for 17th-century politician Constantijn Huygens. It is located in Voorburg on the Vliet canal from Den Haag to Leiden
After he became a widower, Huygens bought land on the Vliet in Voorburg with plans to build a summer home. At the time it was quite fashionable to have a summer home on a river or canal, and old maps of Voorburg show Hofwijck as one of many. The building itself and the gardens (originally on both sides of the Vliet) were designed by Huygens himself in cooperation with the Dutch architect Jacob van Campen. The estate was to be “a harmonious piece of paradise on earth, with a garden in God’s image and likeness.” Huygens was very much inspired by the works of classical Roman architect Vitruvius. Another Dutch Architect, Pieter Post, was in charge of the actual building activities.
The building was erected in unplastered brick and is in the Classicist style. It stands in the centre of a square swan pond. Hofwijck was inaugurated in 1642 in the company of friends and relatives.
If you book me as a skipper on the Willemsvaart on a nice day, you can make a similar photo.