We took off from AMS Schiphol Airport for Venice in June to visit the 2015 Art Biennial there
ING is one of our largests banks here in The Netherlands and had bought some ad space at Amsterdam Airport Schiphol. Rather than Milan, we took off for Venice in June to visit the 2015 Art Biennial there and to stay a week in the Marche. Thusfar I’ve been a tad too busy to do some furthe reporting, but I hope to change that now.
However, do see my prior posts in relation to this trip about the Lancia Appia, about Monica Bonvicini and the Seabourn Odyssee
At the Venice Biennial Monica Bonvicini, born in Venice, but living and working in Berlin, had a complete room in the Arsenale with chainsaw installations in concrete with dripping rubber.
The brochure says:
In Bonvicini’s hands, industrial materials are used to create a humorous critique of male power symbols.
It keeps me thinking.
Scheveningen 11 and Scheveningen 90
I took this photo of the painting of the Scheveningen 11 and Scheveningen 90 by Hendrik Willem Mesdag in the Groninger Museum. I’m not sure whether the painting belongs to its collection or not.
I took the photo to use it for a post here about Hendrik Willem Mesdag, an important Dutch painter of the The Hague School.
We have a panorama in The Hague, Panorama Mesdag and we have the Mesdag Collection in The Hague, a small museum which consists of his former home and studio’s, but also of the small museum he built himself for his own art collection.
Ed Ruscha: Ostend – La Jolla – Venice – The Hague
An acrylic on canvas painting by Ed Ruscha, but also a Mural at the La Jolla Branch of the Museum of Contemporary Art of San Diego, California (see the second photo right).
1995-1996, acrylic on PVC coated fabric. Collection Museum of Contemporary Art San Diego, Museum purchase with proceeds from Museum of Contemporary Art San Diego Art Auction 2006, and from prior donations by Susan and Frank Kockritz and Mr. and Mrs. Norton S. Walbridge. © Ed Ruscha.
I took this photo in Ostend, Belgium at the exhibition The Sea which became a memorial to Belgian Museum curator Jan Hoet. I found it in Mu.zee. There the caption is Brave Men From La Jolla and the ownership attributed to Studio Ruscha
Clearly there is a Flying Dutchman analogy which connects the quote “Brave Men Run in My Family” to the sea.
My first encounter with Ed Ruscha was in another Seafaring City, Venice, Italy at the occasion of the 2005 Venice Biennial. There he presented mono color work from his Blue Collar series with new work which he called Course of Empire (see this Traditional Fine Arts Organization writeup)
Strangely enough I took only photo’s from the mono color work and not from the multi color work. With hindsight I believe I found the black and white work much more impressive, especially in the USA pavilion.
The connection is this: After Venice the Ruscha paintings were exhibited in the Whitney Museum NYC. Currently the Whitney museum is on the move from its Breuer designed museum to a Piano designed new Museum that will be opened spring next year. Soon the US Embassy in the Hague will leave its Breuer designed building for a newly built Embassy. I hope the US will show the same respect for the only Breuer designed building we have in The Hague as the Whitney museum did by making a deal with the MET. See this NY Times article.
The Sea – A tribute to Jan Hoet
Currently in the Belgian city Ostende there is an exhibition in various locations in honor of curator Jan Hoet who passed away January 27, 2014, before the exhibition even started.
I’ve visited it and it is really worth while the journey. Open until April 19th, 2015.
The installation “Altar” at the beach by Kris Martin is part of the exhibition. It refers to a triptych by Van Eyck and gives a view on the Sea (and the air above the sea off course)
The sea has always been a great source of inspiration for the arts. Its attraction can undoubtedly be ascribed to its ever changing impressions. In its infinite beauty it may be soothing but in its unpredictability it becomes threatening again. Artists will always be fascinated by the endless play of light, space and movement. The Sea is an exhibition that is elusive just like a wave, ebbing, flowing and leaving traces that time and again are erased by new forces. The Sea is an exhibition in dialog with Ostend, spread over several locations, with Mu.ZEE as the starting point of this voyage of discovery.
Jan Hoet was behind the planning of this event. For him, this was to be his last major exhibition. However, on 27 February 2014 we had to bid our curator farewell. He had focused on this project until the very last weeks of his life. The exhibition thus grew from a tribute to the sea into a homage to Jan Hoet… one of grand gestures and short stories, a salute of honor.