USA Election Day – Humilitas Odiosa Superbis

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Humilitas Odiosa Superbis

Is the motto engraved in the facade of one of the city palaces in Jesi, an Italian city in the Marche region, not afar from the Adriatic sea bordering city Ancona, and yes very close to the recent earthquakes of Norcia and Perci by the way.

Humilitas Odiosa Superbis means so much as humility is wasted to the well to do.

I had to think of Mr Trump off course in his Titanic battle against Hillary Clinton. I hope if he happens to win he earns some more sensitivity….

Jesi is where the Italian Componist Pergolesi was born. Pergolesi is most know because of his Sabat Mater…. nomen est omen

Ed Ruscha: Ostend – La Jolla – Venice – The Hague

Brave Men Run in My Family Ed Ruscha I56A1143 kl

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Ed Ruscha: Ostend – La Jolla – Venice – The Hague

An acrylic on canvas painting by Ed Ruscha, but also a Mural at the La Jolla Branch of the Museum of Contemporary Art of San Diego, California (see the second photo right).
1995-1996, acrylic on PVC coated fabric. Collection Museum of Contemporary Art San Diego, Museum purchase with proceeds from Museum of Contemporary Art San Diego Art Auction 2006, and from prior donations by Susan and Frank Kockritz and Mr. and Mrs. Norton S. Walbridge. © Ed Ruscha.

Ostend?

I took this photo in Ostend, Belgium at the exhibition The Sea which became a memorial to Belgian Museum curator Jan Hoet. I found it in Mu.zee. There the caption is Brave Men From La Jolla and the ownership attributed to Studio Ruscha

Clearly there is a Flying Dutchman analogy which connects the quote “Brave Men Run in My Family” to the sea.

Venice?

My first encounter with Ed Ruscha was in another Seafaring City, Venice, Italy at the occasion of the 2005 Venice Biennial. There he presented mono color work from his Blue Collar series with new work which he called Course of Empire (see this Traditional Fine Arts Organization writeup)

Strangely enough I took only photo’s from the mono color work and not from the multi color work. With hindsight I believe I found the black and white work much more impressive, especially in the USA pavilion.
Tool and Die Ed Ruscha 2005 Biennial Venic IMG_0464
Telephone by Ed Ruscha Venice Biennial 2005 IMG_0460
Tech Chem Ed Ruscha Venice Biennial 2005 IMG_0463
Tires by Ed Rucha Venice Biennial 2005  IMG_0462
Trade School Ed Ruscha Venice Biennial 2005 IMG_0461
US Pavillion Venice  Biennial 2005 IMG_0465

The Hague?

The connection is this: After Venice the Ruscha paintings were exhibited in the Whitney Museum NYC. Currently the Whitney museum is on the move from its Breuer designed museum to a Piano designed new Museum that will be opened spring next year. Soon the US Embassy in the Hague will leave its Breuer designed building for a newly built Embassy. I hope the US will show the same respect for the only Breuer designed building we have in The Hague as the Whitney museum did by making a deal with the MET. See this NY Times article.

Happy Birthday John Cage

Happy Birthday John Cage from HappyHotelier on Vimeo.

This year the 100th Birthday of a famous American composer, John Cage, will be celebrated.

This Birthday cake installation for John Cage I found in an exhibition in the Museumsquartier of Vienna that I visited quite unexpectedly earlier this week. I made a small piece of video so that you get a feel of why all small loudspeakers were used to decorate the cake.

Featuring more than hundred different works, “MEMBRA DISJECTA FOR JOHN CAGE: Wanting to Say Something About John” is an homage to John Cage, whose hundred birthday is being celebrated around the world in 2012. The Latin term “membra disjecta” in the exhibition title indicates John Cage’s method of working with a scattering of elements from various sources. The subtitle refers to a multiple that John Cage created in Marcel Duchamp’s honor after his death: “Not Wanting to Say Anything About Marcel.”

If you happen to be in Vienna shortly a must visit exhibition!

Below is a trailer for an memorial of John Cage in The Hague on March 10, 2012:

Honeymoon Suite Whirpool for Two

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Roman Towers Romance

Seedy, stylish, romantic or just fun this Whirlpool for 2 in your honeymoonsuite?

Its in an all inclusive couples only resort in the Pocono Mountains PA, USA.

Toast your romance with a sensual soak in the world-exclusive, 7-foot tall Champagne Glass Whirlpool Bath-for-Two. Set on Pocono Palace’s golf course, The Roman Towers are designed in a Grand Roman theme with floor to ceiling columns, stunning arches, vaulted ceilings, covered walkways and a private, arched underpass for parking. A cathedral window offers a panoramic view of Pocono Palace’s lush surrounding landscape.

Via the Roman Tower

I’ve quickly looked at their Tripadvisor reviews….mixed…

Burning Man – Must See Festival

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A magnificent unicorn struggles to emerge from the cracking dust-covered playa

Burning-Man-Flames

Rotating installation that breathes four hot streams of fire into the air at night.

Sand(wo)man made out of metal bowls celebrates the universe with outstretched arms, a fertile womb and dancing feet.

Over 200 feet long and 50 feet high, this awe-inspiring Conexus Cathedral, built in 2006, was a hallowed place that inspired both reflection and dancing.

Burning Man

Never knew what it was. Now I know … a bit.

Freelance Journalist Meredith Price describes the magic of the Burning Man Project, held yearly in the Nevada desert, with the help of some truly amazing photos.

Every year, over 40,000 people come together in a Utopian experiment showing the most stunning artwork, grandiose costumes and outlandish art cars and there is some fire too.

Held in Black Rock City, Nevada, the festival is named Burning Man after the ritualistic burning of a wooden effigy in the shape of a man.

Via the Tripbase Blog

The 10 Burning Man Principles are:

  1. Radical Inclusion
    Anyone may be a part of Burning Man. We welcome and respect the stranger. No prerequisites exist for participation in our community.
  2. Gifting
    Burning Man is devoted to acts of gift giving. The value of a gift is unconditional. Gifting does not contemplate a return or an exchange for something of equal value.
  3. Decommodification
    In order to preserve the spirit of gifting, our community seeks to create social environments that are unmediated by commercial sponsorships, transactions, or advertising. We stand ready to protect our culture from such exploitation. We resist the substitution of consumption for participatory experience.
  4. Radical Self-reliance
    Burning Man encourages the individual to discover, exercise and rely on his or her inner resources.
  5. Radical Self-expression
    Radical self-expression arises from the unique gifts of the individual. No one other than the individual or a collaborating group can determine its content. It is offered as a gift to others. In this spirit, the giver should respect the rights and liberties of the recipient.
  6. Communal Effort
    Our community values creative cooperation and collaboration. We strive to produce, promote and protect social networks, public spaces, works of art, and methods of communication that support such interaction.
  7. Civic Responsibility
    We value civil society. Community members who organize events should assume responsibility for public welfare and endeavor to communicate civic responsibilities to participants. They must also assume responsibility for conducting events in accordance with local, state and federal laws.
  8. Leaving No Trace
    Our community respects the environment. We are committed to leaving no physical trace of our activities wherever we gather. We clean up after ourselves and endeavor, whenever possible, to leave such places in a better state than when we found them.
  9. Participation
    Our community is committed to a radically participatory ethic. We believe that transformative change, whether in the individual or in society, can occur only through the medium of deeply personal participation. We achieve being through doing. Everyone is invited to work. Everyone is invited to play. We make the world real through actions that open the heart.
  10. Immediacy
    Immediate experience is, in many ways, the most important touchstone of value in our culture. We seek to overcome barriers that stand between us and a recognition of our inner selves, the reality of those around us, participation in society, and contact with a natural world exceeding human powers. No idea can substitute for this experience.